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Bach Bibliography Search Result |
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Marnati, Aurelio | La prima parti della somma di tutte le scienze nella quale si tratta delle sette arti liberali. | ||||||
 | 2. | Botte, Adolphe | Deuxième séance de musique de chambre de Henri Vieuxtemps. | RevueGazMParis | 25 | 50 | 410-411 | ||
| | 3. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 27 | 7 | 53 | ||
| | 4. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 27 | 9 | 70 | ||
| | 5. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 27 | 15 | 126 | ||
 | 6. | T., A. | The study of Bach. | DwightJM | 20 | 10 | 284-285 | ||
| | 7. | T., A. | Sebastian Bach. | MReviewMWorld | 12 | 25 | 291-292 | ||
| | 8. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 28 | 12 | 91 | ||
| | 9. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 29 | 5 | 34 | ||
| | 10. | Botte, Adolphe | Concert de Mme Clara Schumann. | RevueGazMParis | 29 | 12 | 96 | ||
| | 11. | Botte, Adolphe | Auditions musicales. | RevueGazMParis | 29 | 14 | 116 | ||
 | 12. | Foote, Arthur William (ed.) | Prelude / J. S. Bach. | 7p | |||||
| | 13. | Eibenschütz, Albert (ed.) | Sonate A-moll / [C. P. E. Bach] | ||||||
| | 14. | Eibenschütz, Albert (ed.) | Sonate A-Dur / [C. P. E. Bach] | 15p | |||||
| | 15. | Eibenschütz, Albert (ed.) | Rondo D-moll / [C. P. E. Bach] | 7p | |||||
| | 16. | Eibenschütz, Albert (ed.) | Rondo E-Dur / [C. P. E. Bach] | 9p | |||||
| | 17. | Eibenschütz, Albert (ed.) | Sonate C-Dur / [C. P. E. Bach] | 9p | |||||
| | 18. | Eibenschütz, Albert (ed.) | Rondo G-Dur / [C. P. E. Bach] | 9p | |||||
| | 19. | Foote, Arthur William (arr.) | Sarabande from the Sixth Sonata ; Courante from the First Sonata [for pianoforte]. | 7p | |||||
| | 20. | Trickett, Arthur | The church cantata. A paper read at the College of Organists. | MWorld | 67 | 35 | (137) 693 | ||
| | 21. | Foote, Arthur William (ed.) | The Fifteen Two-part Inventions ... | 20p | |||||
| | 22. | Piatti, Alfredo C. (arr.) | 1re Suite: [Sol maj.] / J. S. Bach. | 11p + St | |||||
| | 23. | Siloti, Alexander (arr.) | Kleine Stücke - Choral, Variationen, Prélude / [J. S. Bach] | ||||||
| | 24. | Siloti, Alexander Ilyich (arr.) | Andante (From the Sonata for Violin Solo in A Minor) J. S. Bach. | 5p | |||||
| | 25. | Spaeth, A. | Das Bachfest in Bethlehem Pennsylvanien. | Siona | 29 | 8-9 | |||
| | 26. | Siloti, Alexander [Ziloti, Aleksandr I.] (arr.) | Konzert in D dur für Klavier, Flöte und Violine mit Begleitung des Streichorchesters / Joh. Seb. Bach. | 35p + St | |||||
| | 27. | Siloti, Alexander (arr.) | PRÉLUDE tiré de la Cantate 'WIR DANKEN DIR, GOTT.' / J. S. Bach. | 11p | |||||
| | 28. | Siloti, Alexander (ed.) | Orgel-Praeludium [Em] / J. S. Bach | ||||||
| | 29. | Siloti, Alexander (ed.) | Prélude [D] aus der Kantate No. 29 (Wir danken dir, Gott) für Orchester / Joh. Seb. Bach. | ||||||
| | 30. | Siloti, Alexander (ed.) | Konzert [D] für Pianoforte / Joh. Seb. Bach | ||||||
| | 31. | Siloti, Alexander (arr.) | Sicillienne (aus der Sonate für Pianoforte und Flöte) / J. Seb. Bach. | ||||||
| | 32. | Spanuth, August | Ungekürzter Bach und irritierte Kritik. | Signale | 70 | 48 | 1593-1596 | ||
| | 33. | Siloti, Alexander (arr.) | Prélude aus der Kantate No. 35 ... | ||||||
| | 34. | Siloti, Alexander (ed.) | 10 Präludien aus 'Das wohltemperierte Klavier' / J. S. Bach. | 26p | |||||
| | 35. | Foote, Arthur William (arr.) | First year Bach: 20 compositions for the pianoforte by J.S. Bach | 28p | |||||
| | 36. | Siloti, Alexander (arr.) | Prélude (Suite No. 3) / [J. S. Bach] | ||||||
| | 37. | Siloti, Alexander (ed.) | Fantaisie chromatique et fugue pour piano | 19p | |||||
| | 38. | Siloti, Alexander (arr.) | Prélude et Courante. / J.S. Bach | 9p | |||||
| | 39. | Kreutz, Alfred (ed.) | Zwölf kleine Präludien = Douze petits préludes / Joh. Seb. Bach. | EdSchott | 0849 1/ | 18p | |||
| | 40. | Brent Smith, Alexander | The Cantata in Being. | MLetters | 1 | 3 | 227-229 | ||
| | 41. | Foote, Arthur William (ed.) | Prelude No. 1 (From The Well-Tempered Clavichord) / Johann Sebastian Bach. | 21-22 | |||||
| | 42. | Casals, Pablo; Siloti, Alexsander (ed.) | Air: extrait de la suite d'orchestre en ré / Johann Sebastian Bach. | 3p + St | |||||
| | 43. | Siloti, Alexander (arr.) | Andante aus dem 5ten Brandenburgischen Konzert von Joh. Seb. Bach. | 5p + 2 St | |||||
| | 44. | Siloti, Alexander (arr.) | Chanson réligieuse. ('Komm, süßer Tod.') / J. S. Bach. | 12 | |||||
| | 45. | Brent Smith, Alexander | The Workmanship of Bach. | MLetters | 3 | 3 | 229-236 | ||
| | 46. | Siloti, Alexander (arr.) | Komm, süsser Tod: Sacred song / [J. S. Bach] | ||||||
| | 47. | Siloti, Alexander (arr.) | Paraphrase on the Prelude in C# major by J. S. Bach. | 3p | |||||
| | 48. | Siloti, Alexander (arr.) | Organ prelude (E minor) / J. S. Bach. | 3p | |||||
| | 49. | Siloti, Alexander (arr.) | Gigue (from the Piano-Suite in Bb major) / J. S. Bach. | 5p | |||||
| | 50. | Siloti, Alexander (arr.) | Fantasia (C minor) / J. S. Bach | 9p | |||||
| | 51. | Siloti, Alexander (arr.) | Chaconne / J. S. Bach | 22p | |||||
| | 52. | Siloti, Alexander (arr.) | Concerto No. 2 in E major / Johann Sebastian Bach | 40p + St | |||||
| | 53. | Siloti, Alexander (arr.) | Prélude from the Cantata No. 35 for organ and orchestra / Johann Sebastian Bach | 7p + St | |||||
| | 54. | Siloti, Alexander (arr.) | Organ prelude (G minor) / J. S. Bach. | 9p | |||||
| | 55. | Morgenroth, Alfred | Hermann Kretzschmar, dem Künstler-Gelehrten zum Gedächtnis. | NMz(Stuttgart) | 45 | 7 | 171-173 | ||
| | 56. | Siloti, Alexander (arr.) | Suiten für Violoncello / J. S. Bach. | 15p | |||||
| | 57. | Siloti, Alexander (arr.) | Adagio from the toccata in C major for organ / J.S. Bach | 3p + 4 St | |||||
| | 58. | Siloti, Alexander; Tertis, Lionel (arr.) | Adagio from the toccata in C major for organ: for viola and piano / J.S. Bach | 5p + St | |||||
| | 59. | Siloti, Alexander; Casals, Pablo (arr.) | Adagio (from the Toccata in C major for organ) | 5p + St | |||||
| | 60. | Veggetti, Alberto (ed.) | Quindici invenzioni a due voci / G. S. Bach. | 31p | |||||
| | 61. | Siloti, Alexander (arr.) | Prelude (from the Cello Suite in E flat major) / J. S. Bach. | 9p | |||||
| | 62. | Dreetz, Albert | Aus Erfurts Musikgeschichte (1750-1800). | 29p | |||||
| | 63. | Dreetz, Albert | Johann Christian Kittel, der letzte Bach-Schüler. | 96p | |||||
| | 64. | Schmitz, Arnold | Peter Epstein †. | ZsfMw | 14 | 9-10 | 450 | ||
| | 65. | Burgartz, Alfred | Der Preussische Stil in der Musik. | DieMusik | 26 | 10 | 721-723 | ||
| | 66. | Schulte, Alfred | Papiermühlen- und Wasserzeichenforschung. | GutenbergJb | 9 | ||||
| | 67. | Brent Smith, Alexander | The Conventions of Bach. | MLetters | 16 | 4 | 321-324 | ||
| | 68. | Siloti, Alexander; Casals, Pablo (arr.) | Organ-Prelude. I call on Thee, Lord ... | ||||||
| | 69. | Corte, Andrea della; Pannain, Guido | Storia della musica. | x, 100p | |||||
| | 70. | Dreetz, Albert | Der letzte Schüler Bachs: neue Funde, die das Bild Johann Christian Kittels ergänzen. | ThüringAllgZ | |||||
| | 71. | Foote, Arthur William (arr.) | Sarabande and Gigue for Pianoforte | ||||||
| | 72. | Kreutz, Alfred (ed.) | Zwei Sonaten für Klavier von Carl Philipp Emanuel Bach. | EdSchott | 2826 | 12p | |||
| | 73. | Quantz, A. | J. J. Quantz über die Organisten seiner Zeit. | MKirche | 11 | 3 | 131-132 | ||
| | 74. | Kreutz, Alfred (ed.) | Menuetten fürs Clavier: von verschiedenen Tonsetzern (18. Jahrhundert) | 23p | |||||
| | 75. | Kreutz, Alfred (ed.) | Zwo Stücke für vier Hände. | EdSchott | 2571 | 23p | |||
| | 76. | Schütz, Adalbert | Über Zahlenrelation in Präludium und Fuge Es-Dur von Johann Sebastian Bach. | MKirche | 13 | 2 | 27-40 | ||
| | 77. | Morgenroth, Alfred (ed.) | Von deutscher Tonkunst: Festschrift zu Peter Raabes 70. Geburtstag. | [fs]Raabe70 | 240p | ||||
| | 78. | Foote, Arthur William (arr.) | Second Bach Book for Pianoforte. | 19p | |||||
| | 79. | Schmitz, Arnold | Die Definition der Musik bei Bach. | MAltar | 1 | 2 | 8-12 | ||
| | 80. | Schmitz, Arnold | Stand und Aufgaben der Bachforschung. | Mleben | 1 | 1 | 6-11 | ||
| | 81. | Kreutz, Alfred (ed.) | Klaviertänze der Joh. Seb. Bach-Zeitgenossen | 40p | |||||
| | 82. | Schmitz, Arnold | Die Bildlichkeit der wortgebundenen Musik J. S. Bachs. | Mleben | 2 | 12 | 321-327 | ||
| | 83. | Kreutz, Alfred (ed.) | Capriccio (B-Dur): sopra la lontanza del suo fratello dilettissimo / Joh. Seb. Bach. | 11p | |||||
| | 84. | Kreutz, Alfred (ed.) | Zwei Klavierstücke: Fantasie fis-Moll, Rondo e-Moll / Carl Philipp Emanuel Bach. | 15p | |||||
| | 85. | Ott, Alfons (ed.) | Münchner Bachfest 1950. 13.-18. Juni 1950. | Bachfest_München | 32p | ||||
| | 86. | Kreutz, Alfred (ed.) | Englische Suiten / Joh. Seb. Bach. [Bd. 1: Nr. 1 - 3] | EdPeters | 4580a | 60p | |||
| | 87. | Kreutz, Alfred (ed.) | Englische Suiten / Joh. Seb. Bach. [Bd. 2: Nr. 4 - 6] | EdPeters | 4580b | 66p | |||
| | 88. | Kreutz, Alfred | Die Ornamentik in J. S. Bachs Klavierwerken. | EdPeters | 4580c | 8p | |||
| | 89. | Kreutz, Alfred (ed.) | Chromatische Fantasie und Fuge / Joh. Seb. Bach. | EdSchott | 01083 1 | 17p | |||
| | 90. | Kreutz, Alfred (ed.) | Sechs kleine Präludien / Joh. Seb. Bach. | EdSchott | 01086 | 11p | |||
| | 91. | Kreutz, Alfred (ed.) | 15 zweistimmige Inventionen / Joh. Seb. Bach. | EdSchott | 01092/3 | 33p | |||
| | 92. | Kreutz, Alfred (ed.) | 15 dreistimmige Sinfonien / Joh. Seb. Bach. | EdSchott | 01096/9 | 35p | |||
| | 93. | Kreutz, Alfred (ed.) | Toccata und Fuge D-Dur ... / Joh. Seb. Bach. | EdSchott | 05504 1 | [rev] | 15p | ||
| | 94. | Kreutz, Alfred (ed.) | Italienisches Konzert / Joh. Seb. Bach. | EdSchott | 0876 1/ | 19p | |||
| | 95. | Kreutz, Alfred (ed.) | Fantasie c-Moll ... / Joh. Seb. Bach. | EdSchott | 0879 | [rev] | 7p | ||
| | 96. | Kreutz, Alfred (ed.) | Fantasie: C. P. E. Bachs Empfindungen. | EdSchott | 4013 | 15p | |||
| | 97. | Schmitz, Arnold | Die Bildlichkeit der wortgebundenen Musik J. S. Bachs. | MiUnterricht | 41 | 2-7 | |||
| | 98. | Schmitz, Arnold | Die Bildlichkeit der wortgebundenen Musik Johann Sebastian Bachs. | NStMw | 1 | 86p | |||
| | 99. | Bonisconti, A. M. | Terzo programma - Omaggi a Bach. Domenica, ore 21,50 - Lunedì, ore 22,25 - Martedì, ore 22,35 - Terzo programma. Subato, ore 17,20 - Rete azzurra. | Radiocorriere | 27 | 46 | 13-14 | ||
| | 100. | Della Corte, Andrea | Vari modi d'intendere Bach. | RassegnaM | 20 | 3 | 201-208 | ||
| | 101. | Bonisconti, Angiola Maria | Il violinismo di Bach nella pratica moderna. | RassegnaM | 20 | 3 | 244-249 | ||
| | 102. | Schmitz, Arnold | Die oratorische Kunst J. S. Bachs - Grundfragen und Grundlagen. | [cr]Lüneburg1950 | 33-49 | ||||
| | 103. | Ferté, Armand (ed.) | Le Clavecin bien tempéré. Premier Livre / J. S. BACH | 126p | |||||
| | 104. | Schmitz, Arnold | Die Figurenlehre in den theoretischen Werken Johann Gottfried Walthers. | AfMw | 9 | 2 | 79-100 | ||
| | 105. | Kreutz, Alfred (ed.) | Leichte Klavierstücke aus den Musikalischen Nebenstunden / Johann Christoph Friedrich Bach. | EdSchott | 3768 | 23p | |||
| | 106. | Kreutz, Alfred | Ornamentation in J. S. Bach's Keyboard Works. | MBook | 7 | 358-379 | |||
| | 107. | Watts, Alan | Myth and Ritual in Christianity. | ix, 262p | |||||
| | 108. | Schmitz, Arnold | Figuren, musikalisch-rhetorische. | MGG(1) | 4 | 176-183 | |||
| | 109. | Kreutz, Alfred (ed.) | Das wohltemperierte Klavier, Erster Band / Joh. Seb. Bach. | EdPeters | 4691a | 123p | |||
| | 110. | Protz, Albert | Zu Johann Sebastian Bachs 'Capriccio sopra la lontananza del suo fratello dilettissimo'. | Mf | 10 | 3 | 405-408 | ||
| | 111. | Schütz, Adalbert | Zur Deutung des Musikalischen Opfers. Joh. Seb. Bach und Friedrich der Große. | WortDienst | 6 | (Neue Folge) | 170-179 | ||
| | 112. | Kreutz, Alfred | Bemerkungen zum Vortrag und Revisionsbericht [zur neuen Urtext-Ausgabe des Wohlt. Klaviers, Teil I] | EdPeters | 4691a | 26p | |||
| | 113. | Schmitz, Arnold | Die oratorische Kunst J. S. Bachs. Grundfragen und Grundlagen. | WegeDerF | 170 | 61-84 | |||
| | 114. | Kreutz, Alfred (ed.) | Das wohltemperierte Klavier, erster Band / Joh. Seb. Bach. | EdPeters | 803a | 134p | |||
 | 115. | Roberts, A. P. | Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'. | diss. | |||||
| | 116. | Burguéte, André | Die Lautenkompositionen Johann Sebastian Bachs. Ein Beitrag zur kritischen Wertung aus spielpraktischer Sicht. | BachJb | 63 | 26-54 | |||
| | 117. | Plichta, Alois | Questenberg - Jaromìøice - Bach. | OpusMusicum | 10 | 9 | 268-271 | ||
| | 118. | Marti, Andreas | 'Lobe den Herren, den mächtigen König der Ehren!' Die Kantate Nr.137 von J. S. Bach. | MGottesd | 34 | 4 | 127-130 | ||
| | 119. | Plichta, Alois | Johann Sebastian Bach und Johann Adam Graf von Questenberg. | BachJb | 67 | 23-28 | |||
| | 120. | Marti, Andreas | '... di Lehre des Lebens zu hören'. Eine Analyse der drei Kantaten zum 17. Sonntag nach Trinitatis von J. S. Bach unter musikalisch- rhetorischen und theologischen Gesichtspunkten. | BaselBernStHistSystTheol | 46 | 188p | |||
| | 121. | Marti, Andreas | 'Musik als theologische Aussage'. [Bachtage Kassel, 28.-31.10.1982] | MGottesd | 37 | 2 | 66-67 | ||
| | 122. | Wilhite, Ann L. | Organ Settings of Luther Chorales | AmerOrganist(2) | 19 | 3 | 138-140 | ||
| | 123. | Matsumoto, Akira | Bach Ongaku no Shakaishi-teki Haikei. | [ce]Bach_no_subete | 134-137 | ||||
| | 124. | Marti, Andreas | Zeilenzwischenspiele in Orgelbegleitungen zum Gemeindegesang. | JbLiturgHymnol | 29 | 151-168 | |||
| | 125. | Marti, Andreas | Die evangelische Theologie und Johann Sebastian Bach. | KathKm | 110 | 5 | 183-189 | ||
| | 126. | Marti, Andreas | Schütz, Bach, Händel und der Kirchenchor. | MGottesd | 39 | 1 | 1-4 | ||
| | 127. | Marti, Andreas | Nachlese zum Bach-Jahr - ein Literaturbericht. | MGottesd | 39 | 6 | 274-278 | ||
| | 128. | Eidslott, Arnold | Johann Sebastian Bach: Passacaglia c-moll. | StudMcolNorvegica | 13 | 7-8 | |||
| | 129. | Marti, Andreas | Schutz en Bach 2 muzikale talen. | HetOrgel | 84 | 7-8, 9 | |||
| | 130. | Mesnage, Marcel; Riotte, Andrè | L'Invension à deux voix no 1 de J.-S. Bach: Essai de modélisation informatique. | AnalyseM | 22 | 46-66 | |||
| | 131. | Blyth, Alan (ed.) | Choral Music on Record. | [ce]ChoralMusicOnRecord | viii, 309p | ||||
| | 132. | Marti, Andreas | Bach und die Theologie. Einführung zu 'Clavierübung III. Teil' in der musikalischen Abendfeier in der Stadtkirche Biel vom 25. März 1990. | MGottesd | 45 | 2 | 54-61 | ||
| | 133. | Marti, Andreas | Madonna trifft Joh. Seb. Bach: Chancen für den Pluralismus. | MGottesd | 45 | 3 | 130-131 | ||
| | 134. | Riotte, André; Mesnage, Marcel | Un modèle informatique de 3ème regard sur l'enfant-Jésus d'Olivier Messiaen. | ||||||
| | 135. | White, Andrew | The Prelude and Fugue in C major from Bach's Well-Tempered Clavier [Book I]: Notes on the Compositional Process. | Bach | 23 | 2 | 47-60 | ||
| | 136. | Feltz, Almut | Johann Friedrich Reichardts Stellung zur Musikausübung am preußischen Hof im Wandel seiner Kunstaufassung. | SchrHändelHausHalle | 8 | 53-62 | |||
| | 137. | Pangritz, Andreas | Polyphonie des Lebens: Zu Dietrich Bonhoeffers 'Theologie der Musik'. | 96p | |||||
| | 138. | Parrott, Andrew | A Splash of Gold. | ClassicCD | 48 | 36-37 | |||
| | 139. | Burguéte, André | Johann Sebastian Bachs Lautenwerke. Ende eines Mythos. | GitarreLaute | 16 | 2, 4 | 66-72; 50-53 | ||
| | 140. | Parrott, Andrew | Bachs Chor: Ein 'Kurtzer iedoch höchstnöthiger Entwurff' zur Neubewertung. | BachWoche_Ansbach | 25-34 | ||||
| | 141. | Kreutz, Alfred (ed.) | Kleine Praludien = Little preludes = Petits preludes, piano / Johann Sebastian Bach. | 47p | |||||
| | 142. | Husain-Naviatti, Asif | Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. | diss. | ii, 98, iii, 333p | ||||
| | 143. | Parrott, Andrew | Bach's chorus: a 'brief yet highly necessary' reappraisal. | EarlyM | 24 | 4 | 551-580 | ||
| | 144. | Rath, Alfons | Gedenkakademie für Albert Schweitzer: Studientagung im Erbacher Hof, Mainz. | Kmusiker | 47 | 106-107 | |||
| | 145. | Parrott, Andrew | Bachs Chor: Ein 'Kurtzer, iedoch höchstnöthiger Entwurff' zur Neubewertung. | BachWoche_Ansbach | 51-84 | ||||
| | 146. | Parrott, Andrew | Bach's chorus: who cares? | EarlyM | 25 | 2 | 297-302 | ||
| | 147. | Parrott, Andrew | Bach's Chorus: beyond reasonable doubt. | EarlyM | 26 | 4 | 636-658 | ||
| | 148. | Friesenhagen, Andreas; Batta, Andras (eds.) | Die Brüder Bach: Leben und Werk zwischen Barock und Klassik. | 380p | |||||
| | 149. | Parrott, Andrew | The Essential Bach Choir. | xi, 223p | |||||
| | 150. | Koettlitz, Alex von | How many singers does it take to perform a cantata by JS Bach? Two leading Bach conductors argue their cases. Andrew Parrott says 4, or sometimes 8, Helmuth Rilling says 24. | BBCMMag | 8 | 5 | 38-39 | ||
| | 151. | Innaurato, Albert | Forbes Life - Music - Johann Sebastian, Party Animal - The great Bach is many things: Musical god, curmudgeon and wild carouser. | Forbes | 412-413 | ||||
 | 152. | Marti, Andreas | Zur theologischen Hermeneutik der Bach-Rezeption. | [p]IBS_Utrecht | |||||
| | 153. | White, Andrew Carl | 'Good invention repaid with interest': The Importance of Borrowing in Bach's Compositional Process. | diss. | 380p | ||||
| | 154. | Cantù, Alberto | Volti di Bach: il violoncello. | Musicaaa | 7 | 20 | 5-6 | ||
| | 155. | Hewitt, Angela | Bach and the Dance. | [p]IS_Oxford | |||||
| | 156. | Parrott, Andrew | Bachs Chor - Zum neuen Verständnis. | 229p | |||||
| | 157. | Stott, Alan | Bach and the Dance of Heaven and Earth. | 31p | |||||
| | 158. | Rickards, Stephen; Engelbreth, Aaron; Cock, Christopher | Scholars Meet Singers (round table). | [p]BachsPassions_Miami | |||||
| | 159. | Burguete, André | Die Wiederauffindung der Theorbe von Silvius Leopold Weiß. | Schr_MittDMges | 11 | 65-88 | |||
| | 160. | Marti, Andreas | Surfen mit Bach & Co.: Kirchenmusikalische und liturgische Touren durchs Internet. | MGottesd | 58 | 4 | 140-142 | ||
| | 161. | Parrott, Andrew | J. S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106). | [cr]York1999 | 269-270 | ||||
| | 162. | Marti, Andreas | Musik im Gottesdienst. Grundzüge einer reformierten Konzeption gottesdienstlicher Musik. | MGottesd | 60 | 2 | 59-67 | ||
| | 163. | Portowitz, Adena | The J.C. Bach–Mozart connection. | MinAd | 5 | 2 | 89-104 | ||
| | 164. | Clements, Andrew | Migoto ni Totonotta, Shizen na Hyogenryoku. | BCJ | 78 | 32 | |||
| | 165. | Parrott, Andrew | Vocal Ripienists and the Mass in B minor. | [cr]Belfast2007 | 1 | [supplement 1] | 24p | ||
| | 166. | Žiu-raityte, Audrone | Dieviškasis scenovaizdis ir Johano Sebastiano Bacho muzikos interpretavimo pamokos. | KulturosBarai | 7-8 | 45-49 | |||
| | 167. | Collarile, Luigi; Nigito, Alexandra (eds.) | In organo pleno: Festschrift für Jean-Claude Zehnder zum 65. Geburtstag. | PubSchweizerischMfG | 48 | 430p | |||
| | 168. | Rizzuti, Alberto | Scelte opinabili e mosse a sorpresa nella Johannes-Passion. | StudiMusicali | 36 | 1 | 97-121 | ||
| | 169. | Brejta, Anna | Transkrypcje w twórczoœci Jana Sebastiana Bacha na przyk³adzie koncertów BWV 593, BWV 978, BWV 1065. | MlodaMcol | 1 | 79-114 | |||
| | 170. | Kuwagata, Akiko | Ruisen no Energy - Bach no Onritsu wa 21seiki ni yomigaeru noka? | OruganKenkyu | 36 | 19-31 | |||
| | 171. | Batista, Antoni | Dietari d'un crític en excedència. Bach segons Portabella. | RevistaMCatalana | 25 | 283 | 10-11 | ||
| | 172. | Marti, Andreas | Johann Sebastian Bach und Paul Gerhardt: Fremde Vertraute. | 9-17 | |||||
| | 173. | Parrott, Andrew | Vocal Ripienists and J. S. Bach's Mass in B minor. | 18cM | 7 | 1 | 9-34 | ||
| | 174. | Parrott, Andrew | Bachs Chor: Die Leipziger Doktrin - Eine Replik. | Concerto | 27 | 233 | 25-29 | ||
| | 175. | Parrott, Andrew | Bach's chorus: the Leipzig line - A response to Andreas Glöckner. | EarlyM | 38 | 2 | 223-235 | ||
| | 176. | Marti, Andreas | Kirchenchor und Kirchenlied. | MGottesd | 64 | 6 | 242-250 | ||
| | 177. | Parrott, Andrew | Bach's chorus: No change. | MTimes | 151 | 1913 | 4-6 | ||
| | 178. | Vallejo Ugarte, Asier | Hilary Hahn: Raíces bachianas. | Scherzo(Spain) | 25 | 248 | 6-7 | ||
| | 179. | Rizzuti, Alberto | Ercole, Bach e un principe storpio. | [cr]Venaria2009 | 129-154 | ||||
| | 180. | Colturato, Annarita; Merlotti, Andrea (eds.) | La festa teatrale nel Settecento: Dalla corte di Vienna alle corti d'Italia. | [cr]Venaria2009 | xiii, 333p | ||||
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